Witnesses to a bygone culture ancient wall paintings provide direct access to the ancient way of life, and become a means of communication between their commissioner and their audience. In Ephesos for a long time wall painting was treated as a second-class citizen, as a secondary product of the excavated monuments. The remains of wall paintings at Ephesos, however, extend far beyond Terrace Houses which can be easily visited today. With this book the remnants of wall paintings in Ephesos are for the first time studied and presented in detail, claiming a new chronology and dating. From the Terrace Houses to the Grotto of St. Paul the work covers a long time span from the Hellenistic period through medieval Byzantine period, enriched with numerous colour figures.
Witnesses to a bygone culture ancient wall paintings provide direct access to the ancient way of life, and become a means of communication between their commissioner and their audience. In Ephesos for a long time wall painting was treated as a second-class citizen, as a secondary product of the excavated monuments. The remains of wall paintings at Ephesos, however, extend far beyond Terrace Houses which can be easily visited today. With this book the remnants of wall paintings in Ephesos are for the first time studied and presented in detail, claiming a new chronology and dating. From the Terrace Houses to the Grotto of St. Paul the work covers a long time span from the Hellenistic period through medieval Byzantine period, enriched with numerous colour figures.